Cinema Documentary by Rainer Komers

D 2022 | 97 min | DCP | 5.1 | Japanese & German with English subtitles

with Uwe Walter

World Premiere: Dok Leipzig 2022, German Competition

Director of Photography: Rainer Komers
Key Collaborator: Hiroko Inoue
Editor & Co-Author: Gregor Bartsch
Sound Engineers: Michel Klöfkorn, Oscar Stiebitz
Sound Design: Jonathan Schorr, Gregor Bartsch, Luis Schöffend
Mix: Jonathan Schorr
Grading / Mastering: Till Beckmann

Produced by kOMERS Film
Co-Produced by ZDF / Arte Commissioning editor Doris Hepp
Tuned by Kirberg Motors

Theatrical Distribution Germany: Real Fiction

Funded by BKM, FiSti NRW


There’s probably no other citizen of Gelsenkirchen who has ever mastered Nō singing and playing the Shakuhachi flute as authentically as Uwe Walter. He has lived in the mountain village of Miyama north of Kyoto for three decades and emulates the local residents, whether they earn their living on the fields, breeding cattle or hunting. People tend their gardens, repair fences to keep away the macaques and grow their own rice. Uwe has become perfectly Japanese, at one with his environment.
However well-suited his Ruhr area wit makes him as a figure of identification, the camera keeps a respectful distance, more reserved than Uwe himself. Only at one point does it come touchingly close: When he is forced to say goodbye to an essential part of his past in the interest of the village community. But the real subject of this film is not the German with his greyish blonde curls but rather that very community, portrayed by Rainer Komers in bittersweet polyphony. It emerges in the children’s games, the adults’ pursuits and the old people’s tales, in the summer downpours of the rainy season, the white moon over the nocturnal village and the blood-red leaves of autumn.

(text by Christoph Terhechte, DOK Leipzig)

photos Rainer Komers © kOMERS Film 2022