https://kirbergmotors.de KIRBERG MOTORS film / art Mon, 05 Jan 2026 16:12:48 +0000 https://kirbergmotors.de en https://kirbergmotors.de/KM-Home Sat, 13 Feb 2021 22:26:10 +0000 KIRBERG MOTORS film / art https://kirbergmotors.de/KM-Home KIRBERG MOTORS is the label under which Caroline Kirberg produces select art film projects. By consulting artists for their audiovisual productions she accounts for the growing demand for professionalizing services on the crossroads of art and film.&nbsp; CURRENT RELEASES OUR NATURE by Marlene Denningmann will be shown at Filmfestival Max Ophüls Preis in January 2026 before celebrating its international premiere at International Film Festival Rotterdam in February 2026! Watch the trailer here! https://kirbergmotors.de/Production Sat, 13 Feb 2021 21:48:33 +0000 KIRBERG MOTORS film / art https://kirbergmotors.de/Production KIRBERG MOTORS produces select film art and art film projects with a focus on hybrid formats between art and cinema, video and installation, documentary and fiction – audiovisual works that challenge our viewing conventions. CURRENT RELEASES OUR NATURE by Marlene Denningmann will be shown at Filmfestival Max Ophüls Preis in January 2026 before celebrating its international premiere at International Film Festival Rotterdam in February 2026! Watch the trailer here! https://kirbergmotors.de/AFTERLIVES-Kevin-B-Lee-2025 Mon, 05 Jan 2026 16:12:48 +0000 KIRBERG MOTORS film / art https://kirbergmotors.de/AFTERLIVES-Kevin-B-Lee-2025 AFTERLIVES Documentary Feature by Kevin B. Lee D 2025 | 88 min | DCP | 5.1 | English / GermanWith Morehshin Allahyari, Nava Zarabian, Anne Speckhard World Premiere: doclisboa 2025 International Premiere: BFI London 2025 Director of Photography: Ginan Seidl Editor &amp; Script Editor: Janina Herhoffer Music: Tadklimp, Maya ShenfeldSound Recording: Aline Bonvin Sound Design: Laszlo Umbreit Sound Mix: Rémi Gérard Produced by Caroline Kirberg for pong film Coproduced by Beata Saboova and Vincent Metzinger with Naoko Films and Pivonka Production Funded by Die Beauftragte der Bundesregierung für Kultur und Medien BKM, Eurimages Lab Project Award, Field of Vision, CNAP, CCA, Belgian Tax Shelter Synopsis In his first feature-length desktop documentary for cinema, filmmaker Kevin B. Lee delves into the historical traces of extremist propaganda and the efforts of those resisting its violent impacts. 'Afterlives' explores how to confront the violence encoded in this media, reaching beyond its toxic effects to engage power structures spanning from the colonial past to the digital age. Moving between virtual and physical environments, the film encounters an artist, an activist and a researcher, who each use the legacy of violent extremism to create new images and narratives with new possibilities for the future. Watch the trailer Theatrical Distribution Germany Arsenal – filminstitut Gerichtstraße 53 13347 Berlindistribution(at)arsenal-berlin.de World Sales &amp; International Distribution Odd Slice FilmsSchrottgasse 1 1030 Viennamartina(at)oddslicefilms.deTel. +43 677 63411156 <img width="1600" height="900" width_o="1600" height_o="900" data-src="https://freight.cargo.site/t/original/i/3aebad56a33803c64175f67e91e001002bad2b18d542e75a5b0e8ea19d995124/-pong-film-2025-AFTERLIVES-Still-03-web.jpg" data-mid="242454931" border="0" src="https://freight.cargo.site/w/1000/i/3aebad56a33803c64175f67e91e001002bad2b18d542e75a5b0e8ea19d995124/-pong-film-2025-AFTERLIVES-Still-03-web.jpg" /><img width="1600" height="900" width_o="1600" height_o="900" data-src="https://freight.cargo.site/t/original/i/ae0763d1fa08c6dc67221c68d0d1ea60c5229031e1bcb13063331db72b0cea07/-pong-film-2025-AFTERLIVES-Still-07web.jpg" data-mid="242454933" border="0" src="https://freight.cargo.site/w/1000/i/ae0763d1fa08c6dc67221c68d0d1ea60c5229031e1bcb13063331db72b0cea07/-pong-film-2025-AFTERLIVES-Still-07web.jpg" /><img width="1600" height="900" width_o="1600" height_o="900" data-src="https://freight.cargo.site/t/original/i/be706b8da1527d6cec85324599ce612d495636fe601d2a8cbce4e5c8b0db6591/-pong-film-2025-AFTERLIVES-Still-08-web.jpg" data-mid="242454934" border="0" src="https://freight.cargo.site/w/1000/i/be706b8da1527d6cec85324599ce612d495636fe601d2a8cbce4e5c8b0db6591/-pong-film-2025-AFTERLIVES-Still-08-web.jpg" /><img width="2479" height="3510" width_o="2479" height_o="3510" data-src="https://freight.cargo.site/t/original/i/a67857465d9c4f6e12f67b2b53320d549967101e17c775bf0cbb4b1659116bd1/Afterlives_Poster_Digital.jpg" data-mid="242454935" border="0" src="https://freight.cargo.site/w/1000/i/a67857465d9c4f6e12f67b2b53320d549967101e17c775bf0cbb4b1659116bd1/Afterlives_Poster_Digital.jpg" /> https://kirbergmotors.de/OUR-NATURE-Marlene-Denningmann-2025 Mon, 05 Jan 2026 15:29:34 +0000 KIRBERG MOTORS film / art https://kirbergmotors.de/OUR-NATURE-Marlene-Denningmann-2025 OUR NATURE (en) UNSERE NATUR (de) Film by Marlene Denningmann D 2025 | 30 min | DCP | 5.1 | German with English subtitles With Jonathan, Victoria, Levi, Nora, Florin, Frederick, Mathilda, MercyEducators: Sebastian Beyer, Nadja Ehlers&nbsp;Bushes &amp; Choreography: Benjamin Petersen World Premiere: Filmfest Schleswig-Holstein Competition 2025 International Premiere: International Film Festival Rotterdam 2026 Further Festivals: Festival Goldener Spatz Competition 2025, Max Ophüls Festival 2026 Director of Photography: Julia Lohmann 2nd Camera: Bine Jankowski Music: Wildes – Jana Hartmann, Jenny TulipaSound Recording: Chris CvachovecCostume Design: Malene Ahlert Sound Design &amp; Mix: Jochen Jezussek Colour Grading: Abdulmonim TwebtiProduced by Kirberg Motors Funded by Die Beauftragte der Bundesregierung für Kultur und Medien BKM and MOIN Filmförderung Hamburg Schleswig-Holstein Research funded by Künstlerinnenförderung Film / Video Berliner Senat für Kultur und Europa Synopsis A bush dances through the empty corridors of a school, young people gather in a circle of chairs. The school bell rings and, under the guidance of two teachers, the group starts to move. From unimpressed to amused, the young people cross the room and answer introductory questions. With the help of the game, we slowly approach the topic of today's workshop: sex education. Later, divided into two groups, it is the students who ask the questions, anonymously on small pieces of paper. At their core, many of them revolve around the same idea: What is normal? As the conversations become more personal, it quickly becomes clear that sex education is more than just facts from a biology book. Our nature is always in motion and the bush shakes its leaves. watch the trailer <img width="3996" height="2160" width_o="3996" height_o="2160" data-src="https://freight.cargo.site/t/original/i/f1cdfee5cdf1048fe5b6448a83e725bf63e8b2e66aeaf22cebfb6193200da322/OUR_NATURE_Still_01.jpg" data-mid="242453517" border="0" src="https://freight.cargo.site/w/1000/i/f1cdfee5cdf1048fe5b6448a83e725bf63e8b2e66aeaf22cebfb6193200da322/OUR_NATURE_Still_01.jpg" /><img width="3996" height="2160" width_o="3996" height_o="2160" data-src="https://freight.cargo.site/t/original/i/a005c7f5b6d5fa03693604d3c61db9c31505b3694d48b56d60da5aa523ef3433/OUR_NATURE_Still_02.jpg" data-mid="242453523" border="0" src="https://freight.cargo.site/w/1000/i/a005c7f5b6d5fa03693604d3c61db9c31505b3694d48b56d60da5aa523ef3433/OUR_NATURE_Still_02.jpg" /><img width="3996" height="2160" width_o="3996" height_o="2160" data-src="https://freight.cargo.site/t/original/i/caf1a725b3338f51460a568a59c9d90ee228e7ebe6623ecd4d9b4c2e6e1ff52e/OUR_NATURE_Still_03.jpg" data-mid="242453576" border="0" src="https://freight.cargo.site/w/1000/i/caf1a725b3338f51460a568a59c9d90ee228e7ebe6623ecd4d9b4c2e6e1ff52e/OUR_NATURE_Still_03.jpg" /> https://kirbergmotors.de/ARANCIA-BRUCIATA-Clementine-Roy-2024-1 Mon, 11 Mar 2024 16:11:18 +0000 KIRBERG MOTORS film / art https://kirbergmotors.de/ARANCIA-BRUCIATA-Clementine-Roy-2024-1 ARANCIA BRUCIATA Film by Clémentine Roy F/D 2024 | 74 min | DCP | 5.1 | Italian with English / French / German subtitles with Marta Orlando, Rossella Palmiero, Arcangela Saputo, Daniela Ianniello World Premiere: Cinéma du Réel ‘24 German Premiere: Duisburger Filmwoche ‘24 Photography: Clémentine Roy, Ivan Markovic, Paolo ScarfóSound Recording: Clémentine Roy, Letizia Gullo, Manuela SchinináEditing: Ninon Liotet Sound Design: Oscar Stiebitz Colour Grading: Ivan MarkovicProduced by Elinka Films, Kirberg Motors &amp; Clémentine Roy Funded by Centre National des Arts Plastiques, Medienboard Berlin-Brandenburg, Senatsverwaltung für Kultur und Europa Berlin Synopsis In the south of contemporary Italy, a community devotes itself to divinatory practices dating back to Roman antiquity, such as ornithomancy and the interpretation of celestial phenomena. In the midst of these tormented lands, a series of gestures and attitudes emerge, opening up new horizons. watch the&nbsp;trailer Director’s Statement Arancia Bruciata is situated between ethnography and speculative stories, proposing a parallel world, opening a breach in the surrounding gloom. It is a film that seeks, invents and builds refuges, alternative stories, joyful micro-resistance practices. Arancia Bruciata is a world in which people use rituals inspired by divinatory practices to encourage us to contemplate, listen to and explore their natural environment in a unique way. This community, linked by practices that resonate with each other, invites us to step outside our established spatio-temporal reference points and take a fresh look at things. A divinatory calendar punctuates the film, its omens define the narrative. Using the calendar I decided to construct a fragmented narrative that would unfold over several seasons, following meteorological phenomena and the movements of the sky. These omens contaminate the writing and direction of the film. The idea is to move into a different concept of space and time, one that is less mathematical, where things neither add up nor divide, a non-linear temporality and movement in short. Inextricably blending the real and the imaginary, Arancia Bruciata establishes new interconnections of signifiers between landscape, history, practices and people, the film sets up a singular world that puts forward hypotheses in order to create a horizon of expectation. A possible looking back. Survivals of past realities. A seed of vitality whose ever-present powers it is a question of exhuming. <img width="10606" height="14999" width_o="10606" height_o="14999" data-src="https://freight.cargo.site/t/original/i/d041ede213b54b5649c7ad3ca4c2c9ed6d9e3061ba4a3958a1514e2e70021148/POSTER-ARANCIA-31-rvb.jpg" data-mid="206509099" border="0" src="https://freight.cargo.site/w/1000/i/d041ede213b54b5649c7ad3ca4c2c9ed6d9e3061ba4a3958a1514e2e70021148/POSTER-ARANCIA-31-rvb.jpg" /><img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/bfb14e2c78898696c3f2aa12e222ec772a1142be9c9e40c8ec6960e308829ce0/Arancia-1.jpg" data-mid="206509095" border="0" src="https://freight.cargo.site/w/1000/i/bfb14e2c78898696c3f2aa12e222ec772a1142be9c9e40c8ec6960e308829ce0/Arancia-1.jpg" /><img width="8000" height="4500" width_o="8000" height_o="4500" data-src="https://freight.cargo.site/t/original/i/9cbad848582c682c7b73dbb1f194fae5c49ec3124079c2c780c0884e92614ac3/Arancia-2.jpg" data-mid="206509097" border="0" src="https://freight.cargo.site/w/1000/i/9cbad848582c682c7b73dbb1f194fae5c49ec3124079c2c780c0884e92614ac3/Arancia-2.jpg" /><img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/e5bbc49134fabe17c0a49d9ee7dd3950f22d16831641ed2aa8390155817acb75/Arancia-3.jpg" data-mid="206509098" border="0" src="https://freight.cargo.site/w/1000/i/e5bbc49134fabe17c0a49d9ee7dd3950f22d16831641ed2aa8390155817acb75/Arancia-3.jpg" /> https://kirbergmotors.de/DARK-CONTINENT-Dani-Gal-2023 Tue, 19 Sep 2023 15:59:08 +0000 KIRBERG MOTORS film / art https://kirbergmotors.de/DARK-CONTINENT-Dani-Gal-2023 DARK CONTINENT Art Film by Dani Gal D 2023 | 25 min | DCP | 5.1 | English with German subtitles with Yoli Fuller, Maj-Britt Klenke, J.David Hinze, Patrick Joswig World Premiere: steirischer herbst ‘23 Director of Photography: Itay Marom Music: Tyshawn Sorey Animation: Markus MüllerSound Recordist: Manja Ebert Costume &amp; Set Design: Daniela Zorrozoua Make-Up &amp; Hair: Rama Al Rached Gaffer: Theo Lustig, Golo Jahn Sound Design &amp; Mix: Jochen Jezussek Colour Grading: Abdulmonim TwebtiProduced by Kirberg Motors &amp; Dani GalCo-Produced &amp; Commissioned by: steirischer herbst Funded by BKM, Artis Synopsis Dani Gal’s new mini feature deals with the racial phobias resulting from the colonial imaginary and their transmission through music. His film reenacts a case study from Martinican psychiatrist and anti-colonial writer Frantz Fanonʼs book Black Skin, White Masks (1952): a young White French woman suffers from a nervous disorder triggered by the sound of African drums—prohibited by colonial regimes in Africa because they were suspected of carrying signals of rebellion.(text by steirischer herbst) watch the&nbsp;trailer <img width="1898" height="1066" width_o="1898" height_o="1066" data-src="https://freight.cargo.site/t/original/i/4c52d921a254936dc7111f0536520e12b3ba89945a36cc5ebcf59605159f89ab/DC_YFuller_FrantzFanon.jpg" data-mid="191488153" border="0" src="https://freight.cargo.site/w/1000/i/4c52d921a254936dc7111f0536520e12b3ba89945a36cc5ebcf59605159f89ab/DC_YFuller_FrantzFanon.jpg" /> <img width="1904" height="1073" width_o="1904" height_o="1073" data-src="https://freight.cargo.site/t/original/i/8214961faaa8ac149e2011c841b2d60b2074a1951c4aa9953b29154439c41137/DC_MBKlenke_MlleB.jpg" data-mid="191488150" border="0" src="https://freight.cargo.site/w/1000/i/8214961faaa8ac149e2011c841b2d60b2074a1951c4aa9953b29154439c41137/DC_MBKlenke_MlleB.jpg" /> <img width="3430" height="1904" width_o="3430" height_o="1904" data-src="https://freight.cargo.site/t/original/i/c24fc7b8b6510c4c9ed41e037ce8fe703ba4babfffa62840eb758293abb97a1a/DC_JDHinze_Doc.jpg" data-mid="191488147" border="0" src="https://freight.cargo.site/w/1000/i/c24fc7b8b6510c4c9ed41e037ce8fe703ba4babfffa62840eb758293abb97a1a/DC_JDHinze_Doc.jpg" /><img width="3420" height="1914" width_o="3420" height_o="1914" data-src="https://freight.cargo.site/t/original/i/278ab209c902f675861ba484f1917af12336cb031d5aada5d2c84e2d4d7ee1e5/DC_PJoswig_ColonelB.jpg" data-mid="191488151" border="0" src="https://freight.cargo.site/w/1000/i/278ab209c902f675861ba484f1917af12336cb031d5aada5d2c84e2d4d7ee1e5/DC_PJoswig_ColonelB.jpg" />photos Ayala Gazit © Dani Gal 2023 https://kirbergmotors.de/MIYAMA-KYOTO-PREFECTURE-Rainer-Komers-2022 Wed, 12 Jan 2022 17:56:18 +0000 KIRBERG MOTORS film / art https://kirbergmotors.de/MIYAMA-KYOTO-PREFECTURE-Rainer-Komers-2022 MIYAMA, KYOTO PREFECTURE Cinema Documentary by Rainer Komers D 2022 | 97 min | DCP | 5.1 | Japanese &amp; German with English subtitles with Uwe Walter World Premiere: Dok Leipzig 2022, German Competition Director of Photography: Rainer Komers Key Collaborator: Hiroko InoueEditor &amp; Co-Author: Gregor Bartsch Sound Engineers: Michel Klöfkorn, Oscar StiebitzSound Design: Jonathan Schorr, Gregor Bartsch, Luis SchöffendMix: Jonathan Schorr Grading / Mastering: Till BeckmannProduced by kOMERS FilmCo-Produced by ZDF / Arte Commissioning editor Doris Hepp Tuned by Kirberg MotorsTheatrical Distribution Germany: Real Fiction Funded by BKM, FiSti NRW Synopsis There’s probably no other citizen of Gelsenkirchen who has ever mastered Nō singing and playing the Shakuhachi flute as authentically as Uwe Walter. He has lived in the mountain village of Miyama north of Kyoto for three decades and emulates the local residents, whether they earn their living on the fields, breeding cattle or hunting. People tend their gardens, repair fences to keep away the macaques and grow their own rice. Uwe has become perfectly Japanese, at one with his environment.However well-suited his Ruhr area wit makes him as a figure of identification, the camera keeps a respectful distance, more reserved than Uwe himself. Only at one point does it come touchingly close: When he is forced to say goodbye to an essential part of his past in the interest of the village community. But the real subject of this film is not the German with his greyish blonde curls but rather that very community, portrayed by Rainer Komers in bittersweet polyphony. It emerges in the children’s games, the adults’ pursuits and the old people’s tales, in the summer downpours of the rainy season, the white moon over the nocturnal village and the blood-red leaves of autumn.(text by Christoph Terhechte, DOK Leipzig) <img width="870" height="580" width_o="870" height_o="580" data-src="https://freight.cargo.site/t/original/i/b45b06a063d080516da21a92a0fa58b213eeefd084228fdbb52e803ea71168d3/MIYAMA_Still1.jpg" data-mid="156511071" border="0" src="https://freight.cargo.site/w/870/i/b45b06a063d080516da21a92a0fa58b213eeefd084228fdbb52e803ea71168d3/MIYAMA_Still1.jpg" /> photos Rainer Komers © kOMERS Film 2022 https://kirbergmotors.de/TARA-Volker-Sattel-Francesca-Bertin-2022 Wed, 12 Jan 2022 17:49:48 +0000 KIRBERG MOTORS film / art https://kirbergmotors.de/TARA-Volker-Sattel-Francesca-Bertin-2022 TARA Hybrid Film by Volker Sattel &amp; Francesca Bertin D / I 2022 | 86 min | DCP | 5.1 | Italian with English subtitles with Jasmine Pisapia, Adriana Sellani, Cataldo Ranieri, Marco Tomasicchio, Vincenzo RomitoWorld Premiere: Visions du Réel 2022 Director of Photography: Volker SattelSteadicam / Underwater Cam: Thilo SchmidtSound Recording: Filipp ForbergEditor: Bettina BlickwedeSound Design: Tim ElzerSound Mix: Jochen JezussekGrading / Mastering: Till BeckmannArtistic Consultant: Stefanie Gaus Produced by Volker Sattel FuFi FilmTuned by Kirberg MotorsFunded by BKM, Berlin Senate Department for Culture and Europe, Goethe Institute Naples, German Films Contact: info@tara-film.com&nbsp; Synopsis The river Tara is situated at the outskirts of the Italian port city of Taranto. “River of Good Fortune” is what&nbsp;people call this place ridden with&nbsp;legends, whose&nbsp;waters are said to have healing and magical powers&nbsp;despite its being toxic. Today, Taranto is considered one of the most polluted cities in Europe due to high levels of dioxin emissions and masses of dust emitted by a colossal steel factory, ILVA. Through poetic and precise images, TARA explores the parallel between economic and ecological exploitation, while following people living at the margins and trying to survive in the ruins of post-capitalism.Throughout this complex landscape, we follow a young researcher on her forays through the city. TARA develops a polyphony of narratives and a cinematic topology of a region where Pasolini had found the setting for his film Gospel According to St. Matthew in the 1960s. The film unveils the river as a model for a never-ending precarious condition: a resistant place where faith, class-consciousness and a new relationship with nature might flourish. Text: Koerner / Sattel <img width="3531" height="4990" width_o="3531" height_o="4990" data-src="https://freight.cargo.site/t/original/i/6ca5a4895f00cb24a5f60cb76fe34518d2662a0170f7e532acbd0d86fcaa1569/TARA_Poster.jpg" data-mid="138697227" border="0" src="https://freight.cargo.site/w/1000/i/6ca5a4895f00cb24a5f60cb76fe34518d2662a0170f7e532acbd0d86fcaa1569/TARA_Poster.jpg" /><img width="4096" height="1716" width_o="4096" height_o="1716" data-src="https://freight.cargo.site/t/original/i/265fdfe7060ea981983aa497292d1bb9dd8c8245d9d1fde966bc2d5cf6c95222/TARA_Still_01.jpg" data-mid="138697228" border="0" src="https://freight.cargo.site/w/1000/i/265fdfe7060ea981983aa497292d1bb9dd8c8245d9d1fde966bc2d5cf6c95222/TARA_Still_01.jpg" /><img width="4096" height="1716" width_o="4096" height_o="1716" data-src="https://freight.cargo.site/t/original/i/3ac86e1e8b6f8e01e2bb989d296beafd1636da038a115fc1d7b2ea2fc652402b/TARA_Still_02.jpg" data-mid="138697229" border="0" src="https://freight.cargo.site/w/1000/i/3ac86e1e8b6f8e01e2bb989d296beafd1636da038a115fc1d7b2ea2fc652402b/TARA_Still_02.jpg" /><img width="3930" height="1645" width_o="3930" height_o="1645" data-src="https://freight.cargo.site/t/original/i/7d3c7dcc46be6302cfe7148a42bf7dfdd65cae89a2eced9a1fdb71b8964b019c/TARA_Still_03.jpg" data-mid="138697230" border="0" src="https://freight.cargo.site/w/1000/i/7d3c7dcc46be6302cfe7148a42bf7dfdd65cae89a2eced9a1fdb71b8964b019c/TARA_Still_03.jpg" /><img width="1280" height="537" width_o="1280" height_o="537" data-src="https://freight.cargo.site/t/original/i/939b4fa2e68fb1d9c63b618cb2bc54c825b8667a07912ef96bb5bbf8a39e4fea/TARA_Still_04.jpg" data-mid="138697231" border="0" src="https://freight.cargo.site/w/1000/i/939b4fa2e68fb1d9c63b618cb2bc54c825b8667a07912ef96bb5bbf8a39e4fea/TARA_Still_04.jpg" /><img width="1280" height="537" width_o="1280" height_o="537" data-src="https://freight.cargo.site/t/original/i/a6188d7e4b580473a5672e0a81805fc05ebb5059d9dee8de1177fbcc4c7a115d/TARA_Still_05.jpg" data-mid="138697232" border="0" src="https://freight.cargo.site/w/1000/i/a6188d7e4b580473a5672e0a81805fc05ebb5059d9dee8de1177fbcc4c7a115d/TARA_Still_05.jpg" /><img width="2750" height="1434" width_o="2750" height_o="1434" data-src="https://freight.cargo.site/t/original/i/45e31292ca4afd69e4557e595f13234010d92c7b43d7aae9d9b54b6c02cce472/TARA_Still_06.jpg" data-mid="138697233" border="0" src="https://freight.cargo.site/w/1000/i/45e31292ca4afd69e4557e595f13234010d92c7b43d7aae9d9b54b6c02cce472/TARA_Still_06.jpg" />photos Volker Sattel © FuFi Film 2022 https://kirbergmotors.de/SUN-UNDER-GROUND-Bernien-Gerbaulet-2022 Wed, 12 Jan 2022 17:40:23 +0000 KIRBERG MOTORS film / art https://kirbergmotors.de/SUN-UNDER-GROUND-Bernien-Gerbaulet-2022 SUN UNDER GROUND Experimental Documentary by Mareike Bernien &amp; Alex Gerbaulet D 2022 | 39 min | DCP | 5.1 | German with English subtitles&nbsp; narrated by Katharina Meves, Tucké Royale, Susanne Sachsse,&nbsp;performed by Aline Benecke, Mareike Bernien, Alex Gerbaulet, Ayla Güney, Mirko Winkel World Premiere: Berlinale Forum Expanded 2022 Director of Photography: Jenny-Lou Ziegel Sound Engineer: Tom Schön Produced by pong film, Caroline Kirberg Realized with the support of GKFD, Stiftung Kunstfonds,&nbsp;FFA Synopsis Starting with a map of former uranium mining areas in Saxony and Thuringia, the film embarks on a dizzying journey through time, underground, above ground and into space. In doing so, it traces the sedimented narratives that surround the element uranium materially, geopolitically and metaphorically. How can the spectrum of the visible be shifed to bring its invisible radiation into the picture, to make it audible or perceptible? <img width="2362" height="1341" width_o="2362" height_o="1341" data-src="https://freight.cargo.site/t/original/i/4873a88de22cc59075902e51a0836fba8ecd3d3ce94a54475a19261da293b709/Sonne_Still_01.jpg" data-mid="130098235" border="0" src="https://freight.cargo.site/w/1000/i/4873a88de22cc59075902e51a0836fba8ecd3d3ce94a54475a19261da293b709/Sonne_Still_01.jpg" /><img width="2362" height="1341" width_o="2362" height_o="1341" data-src="https://freight.cargo.site/t/original/i/f11408043775d3e663d68a0a9b04581b860c9e824e556c342e5fbd46ec22cf6d/Sonne_Still_02.jpg" data-mid="130098236" border="0" src="https://freight.cargo.site/w/1000/i/f11408043775d3e663d68a0a9b04581b860c9e824e556c342e5fbd46ec22cf6d/Sonne_Still_02.jpg" /><img width="2362" height="1341" width_o="2362" height_o="1341" data-src="https://freight.cargo.site/t/original/i/459be55fb547688f88abb7355507a357ac232d23dd8c5a0f978edb2a4da6c837/Sonne_Still_03.jpg" data-mid="130098237" border="0" src="https://freight.cargo.site/w/1000/i/459be55fb547688f88abb7355507a357ac232d23dd8c5a0f978edb2a4da6c837/Sonne_Still_03.jpg" /><img width="2362" height="1341" width_o="2362" height_o="1341" data-src="https://freight.cargo.site/t/original/i/5263783efe819df9f68084a29786b06fa0c4c90aca549088389ab3b4deb01501/Sonne_Still_04.jpg" data-mid="130098238" border="0" src="https://freight.cargo.site/w/1000/i/5263783efe819df9f68084a29786b06fa0c4c90aca549088389ab3b4deb01501/Sonne_Still_04.jpg" /><img width="2362" height="1341" width_o="2362" height_o="1341" data-src="https://freight.cargo.site/t/original/i/9d4cc9dff9710ba3e02328f1f59b8158e7b76aa877ccf1a3e70102f31de5dc6c/Sonne_Still_05.jpg" data-mid="130098239" border="0" src="https://freight.cargo.site/w/1000/i/9d4cc9dff9710ba3e02328f1f59b8158e7b76aa877ccf1a3e70102f31de5dc6c/Sonne_Still_05.jpg" /><img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/0dfe912fc57898ff7021a7b48285152165f71d1c4423aa7b8abe58eb07c47ae0/Sonne_Still_06_.jpg" data-mid="131390853" border="0" src="https://freight.cargo.site/w/1000/i/0dfe912fc57898ff7021a7b48285152165f71d1c4423aa7b8abe58eb07c47ae0/Sonne_Still_06_.jpg" /> photos Jenny-Lou Ziegel © pong film 2022 https://kirbergmotors.de/EUROPE-Philip-Scheffner-2022 Wed, 12 Jan 2022 17:18:37 +0000 KIRBERG MOTORS film / art https://kirbergmotors.de/EUROPE-Philip-Scheffner-2022 EUROPE Feature Film by Philip Scheffner D / F 2021 | 105 min | DCP | 5.1 | French &amp;&nbsp; Arabic with English subtitles&nbsp; with Rhim Ibrir World Premiere: Berlinale Forum 2022 Authors: Merle Kröger &amp; Philip Scheffner Director of Photography: Volker Sattel 1st Assistant Director: Pascal Capitolin Gaffer: Tarek Shayne Tabet Sound Engineer: Tristan Pontécaille Costume Design: Sandrine Bonheure Production Design: Nicolas Lefebvre Sound Design &amp; Mix: Simon Bastian Colour Grading: Matthias Behrens Produced by pong film,&nbsp;Caroline Kirberg, Merle KrögerCo-produced by Haut les Mains Productions, Thomas Micoulet, Karim Aitouna, and&nbsp;Blinker Film, Meike Martens&nbsp; Co-produced by RBB, commissioning editor Rolf Bergmann Realized with the support of BKM, Eurimages, MBB, FiSti NRW, FFHSH, Région Auvergne-Rhône-Alpes with the CNC, Région Nouvelle-Aquitaine with the CNC, wave-line, Zeigermann_Audio, Arri Rental. Presented at the Venice Gap-Financing Market Synopsis The bus stop “Europe” is located on an arterial road in a small French suburb. A few blocks, a brasserie, a kebab shop and a bus that shuttles between the hospital and the forest. This is where Zohra Hamadi (Rhim Ibrir) lives, her summer beginning with the end of a long history of illness. For the first time in her life, Zohra can walk upright, virtually pain-free. All that’s missing now is her husband Hocine, waiting in Algeria to finally get a family reunification visa and board the next plane to Zohra. But with the end of her treatment, Zohra loses her right of residence in France. She becomes – for her social environment as well as for the audience – a protagonist forced into invisibility, silenced, as she loses her job and her flat. Family and friends leave for their holidays, while she is left behind in an empty world. This empty world becomes a stage for Zohra, equipped with a handful of keys to the flats of others. She reclaims visibility by inventing her future, and not just one, but several, which she plays out in variations. And with this, Zohra’s struggle for her space in Europe begins. Distributed in German Cinemas by GrandfilmWorld Sales by Square Eyes International Press Berlinale by NOISE Film PR <img width="3508" height="4967" width_o="3508" height_o="4967" data-src="https://freight.cargo.site/t/original/i/68e62efef737ce8d5511c5ac9bf968ac5000fa7d263a16d70b28f4d0e8f7c56a/EUROPE_Poster_web-gross.png" data-mid="129932353" border="0" src="https://freight.cargo.site/w/1000/i/68e62efef737ce8d5511c5ac9bf968ac5000fa7d263a16d70b28f4d0e8f7c56a/EUROPE_Poster_web-gross.png" /><img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/d148ed29cc31c623cc33dd821d67e418879d2572d075360773014dbba92bfa78/02_EUROPE_ZohraMarktplatz.jpg" data-mid="129932161" border="0" src="https://freight.cargo.site/w/1000/i/d148ed29cc31c623cc33dd821d67e418879d2572d075360773014dbba92bfa78/02_EUROPE_ZohraMarktplatz.jpg" /><img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/662c1c3c05e3c381351e6d6c7ca43c7b0e765ac7409adfa22f19123e480acbdd/03_EUROPE_ZohraTraumwohnung.jpg" data-mid="129932162" border="0" src="https://freight.cargo.site/w/1000/i/662c1c3c05e3c381351e6d6c7ca43c7b0e765ac7409adfa22f19123e480acbdd/03_EUROPE_ZohraTraumwohnung.jpg" /><img width="1998" height="1080" width_o="1998" height_o="1080" data-src="https://freight.cargo.site/t/original/i/d5841de06917895b4228d20c7deb9dde6f532192d1e4434fc9615057a9b645ad/04_EUROPE_Universitat.jpg" data-mid="129932163" border="0" src="https://freight.cargo.site/w/1000/i/d5841de06917895b4228d20c7deb9dde6f532192d1e4434fc9615057a9b645ad/04_EUROPE_Universitat.jpg" /><img width="1998" height="1080" width_o="1998" height_o="1080" data-src="https://freight.cargo.site/t/original/i/08f9e83b0c1662316d6713352907f00067418218c541699e4c83290e50454e41/05_EUROPE_Kebab.jpg" data-mid="129932164" border="0" src="https://freight.cargo.site/w/1000/i/08f9e83b0c1662316d6713352907f00067418218c541699e4c83290e50454e41/05_EUROPE_Kebab.jpg" /><img width="1998" height="1080" width_o="1998" height_o="1080" data-src="https://freight.cargo.site/t/original/i/1e846945ca7ae87febd8b20f52c1010c8d59a9d6459d9f8fc28e8b0a9f75e61a/06_EUROPE_Couscous.jpg" data-mid="129932165" border="0" src="https://freight.cargo.site/w/1000/i/1e846945ca7ae87febd8b20f52c1010c8d59a9d6459d9f8fc28e8b0a9f75e61a/06_EUROPE_Couscous.jpg" /><img width="1998" height="1080" width_o="1998" height_o="1080" data-src="https://freight.cargo.site/t/original/i/c12aac636e71a153902903c0ce22de9139469cd2822c7f87cf1ed3ec98d0d267/07_EUROPE_Bushaltestelle.jpg" data-mid="129932166" border="0" src="https://freight.cargo.site/w/1000/i/c12aac636e71a153902903c0ce22de9139469cd2822c7f87cf1ed3ec98d0d267/07_EUROPE_Bushaltestelle.jpg" /> photos Volker Sattel © pong film 2022